Below is an assemblage of notes from conception to finish for the ancient Roman Province of Lusitania – found in the Iberian Peninsula, mainly in Portugal. There was a gentleman who contacted me and commissioned me to create the notes, under intense scrutiny, and many changes of ideas and design parameters, and with no real idea of how the process of designing them digitally really works. But, after some time, it worked out with these designs being a few that were submitted. The 100 below was only a refamiliarization with software for me. Figuring how to create guilloches (Spiro-Graph type designs) that was the hardest – and most rewarding – part. The 1 and 2 Kantimu following are the processes that were developed under the the clients guidelines and accepted.
Though the final designs are not what I personally liked, it was what the client wanted. Unfortunately, the gentleman later decided that he did not want to print them himself, and I certainly wasn’t going to purchase the cotton fiber banknote paper and the printer, inks, etc. and then ship them to him. After I declined many times to print and ship the notes, he decided to cancel the commission, citing that the printing quality showed them to be of inferior design, even though the designs were made under his direction. Oh, well – it was fun to get back into designing – something I really did enjoy – even if it was only for a short time, and I was paid for the majority of the work performed.
Then fast-forward a couple of years and I get an email from a professional Fantasy Banknote Designer. He informs me that he had been aware of my site and this article, and was surprised to get an email from someone connected with this Lusitania group. This gentleman was contacted by Kim Gastun, the person whose signature is on the notes (except the first draft) below. This professional designer informed me that he had been asked to design some new notes for this group, as they liked his designs and would appreciate his hand at designing for them. And so he did.
His first draft, like mine, was rejected outright. He was then told some very specific design requirements, and as he got these requests and some basic images, he realized that they were my images that I had made to their specifications. Kim Gastun then told him that he also needed to print these notes himself and print them on special paper, and then send them to him. When he declined, and told them that they had the designs already, and didn’t want a new design, the professional designer told me that “…they broke off ties with me… in a most finalizing way.”
I would recommend to anyone else that if they have any contact from this group, that they steer clear, or at least proceed with due caution. There’s something sketchy about them.